Faraar from the film Sandeep Aur Pinky Faraar is one of those rare Bollywood songs that doesn’t beg for your attention—it grabs it by the collar. Released in 2021, the track is sung by Anu Malik and Dibakar Banerjee, with lyrics by Dibakar Banerjee and music composed by Anu Malik. Raw, rebellious, and dripping with irony, “Faraar” became a cult favorite for its unapologetic attitude and fearless sonic identity.
| Song Credits | Details |
|---|---|
| Song Title | Faraar |
| Movie | Sandeep Aur Pinky Faraar (2021) |
| Singer | Anu Malik, Dibakar Banerjee |
| Lyrics | Dibakar Banerjee |
| Music | Anu Malik |
| Label | T-Series |
Musically, “Faraar” sits somewhere between alternative Bollywood, spoken-word satire, and dark folk. It’s not designed for dance floors or radio loops, but for impact. The song received a strikingly minimalist video that mirrors the film’s gritty tone. While it didn’t dominate mainstream charts, it carved its space through critical acclaim and strong word-of-mouth, especially among listeners who crave cinema-driven music with teeth.
🎧 Fun Facts
- “Faraar” uses deliberate vocal roughness to reflect the moral chaos of the film’s characters.
- Dibakar Banerjee’s vocal presence adds a documentary-like realism rarely heard in Bollywood songs.
- The track stands out as one of Anu Malik’s most experimental compositions in recent years.
🎵 LYRICS IN ENGLISH 🎵
Parde Pe Aane Ka Mera Hai Desire
Koi Na Jaane Mere Andar Ki Fire
Parde Pe Aane Ka Mera Hai Desire
Koi Na Jaane Mere Andar Ki Fire
Parde Pe Aane Ka Mera Hai Desire
Koi Na Jaane Mere Andar Ki Fire
Scene Deke Dekho Acting Kar Jaunga
Ek Chance Mil Jaye Dance Bhi Dikhaunga
Rad Choda Ghar Choda Duniya Se Muh Muda
Phucha Mumbai Leke Guitar
Faraar Faraar Faraar Faraar
Hero Banne Aaya Hu Hero Banke Jaunga
Hero Banne Aaya Hu Hero Banke Jaunga
Hoga Mera bangla Meri Car
Faraar Faraar Faraar Faraar
Parde Pe Aane Ka Mera Hai Desire
Koi Na Jaane Mere Andar Ki Fire
OHHH…..ohhhhh
take it….
lagta bechara chara pyaar ka main maara maara
aage kua peeche khayi hai
main bhi anjaana na..na..tune na pehchana na…na..
kaisi musibat yeh aayi hai
tuta tuta dil mera khota khota dil tera
sikka mera chalega ek baar
Hero Banne Aaya Hu Hero Banke Jaunga
Hero Banne Aaya Hu Hero Banke Jaunga
tu karega mujhse hi pyaar
Faraar Faraar Faraar Faraar
Parde Pe Aane Ka Mera Hai Desire
Koi Na Jaane Mere Andar Ki Fire
tuta air seeti ka aaj bol bala hai
tu kaisi air conditioned madhubala hai
famous ho jaunga shows hamein milenge
london paris america hum ghumenge
pocket me maal nahi jebh me par kanghi hai
tere iss dil me bas square foot ki tangi hai
super duper hero ka mujhpe lagega thappa
ego me jeeti hai tujhe lagega dhakka
abhi se nazar meri utaar
Faraar Faraar Faraar Faraar
Hero Banne Aaya Hu Hero Banke Jaunga
Hero Banne Aaya Hu Hero Banke Jaunga
tere dil ka main banunga star
Faraar Faraar Faraar Faraar
Parde Pe Aane Ka Mera Hai Desire
Koi Na Jaane Mere Andar Ki Fire
Scene Deke Dekho Acting Kar Jaunga
Ek Chance Mil Jaye Dance Bhi Dikhaunga
Rad Choda Ghar Choda Duniya Se Muh Muda
Phucha Mumbai Leke Guitar
Faraar Faraar Faraar Faraar
Faraar Faraar Faraar Faraar
🎬 A Song That Runs With the Film’s Soul
Sandeep Aur Pinky Faraar stars Parineeti Chopra and Arjun Kapoor in a tense neo-noir drama about two deeply flawed individuals on the run—from the law, from society, and from themselves. “Faraar” isn’t just background music here; it’s a narrative pulse, echoing the film’s themes of escape, survival, and moral decay.
Lyrically, “Faraar” is built on repetition and irony. The word faraar (on the run) becomes both a literal state and a metaphor for modern alienation—running from guilt, systems, and identity. Dibakar Banerjee’s writing is sharp, almost confrontational, stripping away poetic softness in favor of blunt truth. The lines feel spoken rather than sung, giving the song an unsettling intimacy.
Anu Malik’s composition leans into sparse instrumentation—muted percussion, raw rhythmic patterns, and an almost industrial soundscape. There’s no attempt to beautify the chaos; instead, the music amplifies discomfort. Malik’s voice carries a world-weary sarcasm, while Banerjee’s delivery feels like a street monologue, urgent and unfiltered.
Visually, the song features the lead characters moving through desolate spaces, reinforcing the idea of constant motion with no destination. Culturally, “Faraar” found life beyond the film—shared widely on Instagram reels and film discussion pages, praised for its honesty and boldness. Fans of the film embraced it as an anthem of defiance, proof that Bollywood music can still take risks and speak hard truths without blinking.
